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“Mrs. Barclay was, it appears, a member of the Roman Catholic Church and had interested herself very much in the establishment of the Guild of St. George, which was formed in connection with the Watt Street Chapel for the purpose of supplying the poor with cast-off clothing. A meeting of the Guild had been held that evening at eight, and Mrs. Barclay had hurried over her dinner in order to be present at it. When leaving the house she was heard by the coachman to make some commonplace remark to her husband, and to assure him that she would be back before very long. She then called for Miss Morrison, a young lady who lives in the next villa, and the two went off together to their meeting. It lasted forty minutes, and at a quarter-past nine Mrs. Barclay returned home, having left Miss Morrison at her door as she passed.

“There is a room which is used as a morning-room at Lachine. This faces the road and opens by a large glass folding-door on to the lawn. The lawn is thirty yards across and is only divided from the highway by a low wall with an iron rail above it. It was into this room that Mrs. Barclay went upon her return. The blinds were not down, for the room was seldom used in the evening, but Mrs. Barclay herself lit the lamp and then rang the bell, asking Jane Stewart, the housemaid, to bring her a cup of tea, which was quite contrary to her usual habits. The colonel had been sitting in the dining-room, but, hearing that his wife had returned, he joined her in the morning-room. The coachman saw him cross the hall and enter it. He was never seen again alive.

“The tea which had been ordered was brought up at the end of ten minutes; but the maid, as she approached the door, was surprised to hear the voices of her master and mistress in furious altercation. She knocked without receiving any answer, and even turned the handle, but only to find that the door was locked upon the inside. Naturally enough she ran down to tell the cook, and the two women with the coachman came up into the hall and listened to the dispute which was still raging. They all agreed that only two voices were to be heard, those of Barclay and of his wife. Barclay’s remarks were subdued and abrupt so that none of them were audible to the listeners. The lady’s, on the other hand, were most bitter, and when she raised her voice could be plainly heard. ‘You coward!’ she repeated over and over again. ‘What can be done now? What can be done now? Give me back my life. I will never so much as breathe the same air with you again! You coward! You coward!’ Those were scraps of her conversation, ending in a sudden dreadful cry in the man’s voice, with a crash, and a piercing scream from the woman. Convinced that some tragedy had occurred, the coachman rushed to the door and strove to force it, while scream after scream issued from within. He was unable, however, to make his way in, and the maids were too distracted with fear to be of any assistance to him. A sudden thought struck him, however, and he ran through the hall door and round to the lawn upon which the long French windows open. One side of the window was open, which I understand was quite usual in the summertime, and he passed without difficulty into the room. His mistress had ceased to scream and was stretched insensible upon a couch, while with his feet tilted over the side of an armchair, and his head upon the ground near the corner of the fender, was lying the unfortunate soldier stone dead in a pool of his own blood.

“Naturally, the coachman’s first thought, on finding that he could do nothing for his master, was to open the door. But here an unexpected and singular difficulty presented itself. The key was not in the inner side of the door, nor could he find it anywhere in the room. He went out again, therefore, through the window, and, having obtained the help of a policeman and of a medical man, he returned. The lady, against whom naturally the strongest suspicion rested, was removed to her room, still in a state of insensibility. The colonel’s body was then placed upon the sofa and a careful examination made of the scene of the tragedy.

The Crooked Man 3	The Crooked Man 4	The Crooked Man 5